|Marcelo Nisinman with his bandoneon|
The programme consisted of Hombre Tango - Marcelo Nisinman, Ciudad Triste - Tarantino arr. Marcelo Nisinman, Nanobots - Enrico Chapela and The Four Seasons of Buenos Aires - Piazzolla.
Playing on this occasion were Thomas Gould - violin, Caroline Dearnley - cello, Stephen Williams - double bass, Huw Watkins - piano and Marcelo Nisinman - bandoneon.
The opening piece Hombre Tango was composed by Marcelo Nisinman where the main theme includes a repeated B. The music was inspired by cellist Eduardo Vasallo.
Osvaldo Tarantino composed Ciudad Triste which means Sad City. Marcelo Nisinman wrote this new version for violin, bandoneon and double bass.
Nanobots composed by Enrico Chapela was on it's world premiere tour. Nanobots are microscopic machines that could be a revelation for the human race in the future. This is a very experimental piece of music based on binary code. I particularly enjoyed this composition as this was trying to be progressive and different.
The highlight of the concert had to be Astor Piazzolla's The Four Seasons of Buenos Aires. This is a truly wonderful piece of music. Summer, Autumn, Winter and Spring all interpreted delightfully. Piazzolla was the pioneer of Nuevo Tango adding new instruments and elements like jazz and baroque. Think of Vavaldi's The Four Seasons with an Latin temperament.
The packed Assembly House all applauded loudly at the end and we were treated to an encore. This was a very special musical experience which will live with me for a long while. I went to Prelude Records in the afternoon and purchased a CD of Piazzolla's music that I have got on repeat play this morning.