Playhouse Creatures at The Maddermarket Theatre

On Saturday 2nd February 2013 I attended the matinee performance from the Norwich Players of Playhouse Creatures by April De Angelis at The Maddermarket Theatre, Norwich. The play was written in 1993 but is set in the time of the Restoration of King Charles II to the throne of England. The cast consisted of Mrs Betterton - Becky Sweet, Doll Common - Dot Binns, Mrs Marshall - Libby Waite, Mrs Farley - Emily Deere and Nell Gwyn - Rebecca Wass.

It is 1660 and Charles II permits actresses to perform on stage for the first time. These became known as the ‘playhouse creatures’ and the play brings these characters to life, characters who are slightly ageing but well-connected or conformist young ladies. All is well until a brash youngster, Nell Gwyn comes along, determined to improve her life from orange-seller to actress even though ‘actress’ to most gentlemen of the time was close to being a ‘whore’. Were they coming to appreciate the dramatic talent or for other less salubrious intentions? The play was a juicy and hilarious historical drama with strong language and themes of an adult nature.

Four of the five women women are echoes of real people, the fifth is an echo of a character from the time before, when women were off the stage, when Shakespeare reigned and Ben Jonson created a female character unparallelled in realism. Doll Common knew what it was to live, to take and to love. She described how Betterton’s theatre was formerly a bear pit, and how as a child she watched her father rip the claws from an aggressive female dancing bear. This makes you understand the analogy with Restoration playhouses – that the actresses were ’creatures’ who would be tamed if they stepped out of line.

This was a brilliant performance from the Norwich Players as they brought April De Angelis' story to life as we were transported back to the time of Charles II. The play was gritty as well as having moments of humour. Well done to all the cast and the Director Lucinda Bray for this amazing production at The Maddermarket Theatre.

The Alchemist going for gold!

On the evening of Saturday 30th June 2012 I attended the Norwich Players performance of Ben Jonson's The Alchemist at the Maddermarket Theatre, Norwich. Ben Jonson had a liking for craziness, whereas Shakespeare had a horror for it. For Shakespeare, madness is frightening; for Jonson it's funny. In Shakespeare, there's nothing to live for if anarchy reigns, whereas for Jonson that's where life really had its foundations.

With his master Lovewit resting in the country to avoid an outbreak of plague in London, a clever servant named Face develops a scheme to make money and amuse himself. He gives Subtle, a charlatan, and a prostitute named Dol Common access to the house. Subtle disguises himself as an alchemist, with Face as his servant; Doll disguises herself as a zealous Puritan. Together, the three of them gull and cheat an assortment of foolish clients. These include Sir Epicure Mammon, a wealthy sensualist looking for the philosopher's stone; two greedy Puritans, Tribulation Wholesome and Ananias, who hope to counterfeit Dutch money; Drugger, a "tobacco man" hoping to marry the wealthy widow Dame Pliant; Dapper, an incredibly suave, fashionable, good-looking 17th century gentleman, and other minor figures looking for a short-cut to success in gambling or in business.

The play takes place over the course of one day in the house of Face's master. The three rogues are forced to increasingly frenetic manoeuvres first to manage all of their simultaneous scams, and then to fend off the suspicious Kestrel, Dame Pliant's brother. At last, Lovewit returns; quickly perceiving what Face has done in his absence, he devises a scheme of his own to allow all to end well. Doll and Subtle escape unpunished but empty-handed; Mammon's goods are restored to him, but the Puritans' are not. The smaller victims either flee or are driven from the stage. Lovewit himself pledges troth to Dame Pliant, with Kestrel's approval. Face is restored without punishment to his original place as Jeremy Lovewit's butler.'

This was a wonderful evening at the Maddermarket Theatre as the Norwich Players brought us the genius of Ben Jonson. The Alchemist is unflinching in its satire, very much a play for our own straitened times. It was a night for going for gold but knowing that not everything that glitters is gold.