It was a wonderful start to the Norfolk and Norwich Festival 2012 at St. Andrew's Hall with the Berlin Symphony Orchestra conducted by Alexander Liebreich and cellist Julian Lloyd Webber thrilling a sold out concert on Wednesday 9th May 2012. I made my way to the venue with great excitement as I looked forward to the opening event of this year's festival.
The programme consisted of Overture, Der Freischutz - Weber, Cello Concerto in C major - Haydn, Serenata and Marcia from Cello Suite No1, Op.72 - Britten, Coriolan Overture, Op.62 - Beethoven and Symphony No.1 in C minor, Op.68 - Brahms. This was a great and varied programme with something for everyone. My personal favourite being the Brahms Symphony No.1.
It was the ideal way to start the concert with Weber's Overture to the opera Der Freischutz which transported us to the enchanted depths of the German forests before Julian Lloyd Webber made his entrance to perform the pieces from Haydn and Britten. The cellist is a great virtuoso who gave a magical performance at St. Andrew's Hall on a night to remember.
After the interval the Berlin Symphony Orchestra treated us to Beethoven's Coriolan Overture which many observers have seen as the forerunner of the tone poem with its abrupt changes in dynamics and contrasting themes. Johannes Brahms took many years to compose his first symphony partly due to the composer feeling that Beethoven had expended nearly all the potential of that form. Brahms is one of favourite composers and the Berlin Symphony Orchestra performing his first Symphony made the night for me.
This is the Blog of Andy Yourglivch bringing you Art, Culture, Literature, Music and Poetry direct from Norwich. A Fine City full of Fine Arts. To see a world in a grain of sand, and a heaven in a wildflower... hold infinity in the palm of your hand, and eternity in an hour...
Showing posts with label Weber. Show all posts
Showing posts with label Weber. Show all posts
Thursday, 10 May 2012
Thursday, 9 February 2012
Oberon magic at St. Andrew's Hall
On Saturday 4th February 2012 I attended the Norwich Philharmonic Orchestra concert at St. Andrew's Hall, Norwich which featured pianist Mihkel Poll and conductor Matthew Andrews.
The programme for the evening was Oberon Overture - Weber, Piano Concerto No.1 in D minor - Brahms and Symphony No.3 in A minor - Rachmaninov.
It was cold outside the venue and during the concert snow started to fall but inside we were all filled with the warmth of the music. The concert began with Weber's Oberon Overture which is based on the story of Sir Huon, who undertakes a perilous rescue mission, protected by a magic horn which can summon the elf-king, Oberon.
Soloist for Brahms Piano Concerto No,1 was Estonian Mihkel Poll who gave an intense performance that delighted the audience. This piece started as a sonata for two pianos in 1854, it turned into a symphony the following year before Brahms combined piano and orchestra in a concerto in 1856.
After the interval we were treated to a wonderful performance from the Orchestra of Rachmaninov's Symphony No.3. This piece was written during the final phase of the composers career and has a contemporary style that was met with a lukewarm reception in 1936. Despite this the composer remained convinced that it was one of his best works.
The programme for the evening was Oberon Overture - Weber, Piano Concerto No.1 in D minor - Brahms and Symphony No.3 in A minor - Rachmaninov.
It was cold outside the venue and during the concert snow started to fall but inside we were all filled with the warmth of the music. The concert began with Weber's Oberon Overture which is based on the story of Sir Huon, who undertakes a perilous rescue mission, protected by a magic horn which can summon the elf-king, Oberon.
Soloist for Brahms Piano Concerto No,1 was Estonian Mihkel Poll who gave an intense performance that delighted the audience. This piece started as a sonata for two pianos in 1854, it turned into a symphony the following year before Brahms combined piano and orchestra in a concerto in 1856.
After the interval we were treated to a wonderful performance from the Orchestra of Rachmaninov's Symphony No.3. This piece was written during the final phase of the composers career and has a contemporary style that was met with a lukewarm reception in 1936. Despite this the composer remained convinced that it was one of his best works.
Subscribe to:
Posts (Atom)

