On Thursday 19th July 2012 I attended the matinee performance of The Gershwin's Porgy and Bess from the Cape Town Opera and the Orchestra of the Welsh National Opera. Christine Crouse the Artistic Director of the Cape Town Opera said that transferring the South African township history to Porgy and Bess seemed a perfect fit. All the cultures of township life in Africa rule in Catfish Row.
On Catfish Row in Charleston, South Carolina, Jasbo Brown is playing the blues for a group of dancers. Clara sings a lullaby to her child (“Summertime”). The drug dealer Sporting Life, Clara’s husband Jake, and some of the other men are playing craps. Jake sings his child a lullaby of his own (“A woman is a sometime thing”). The beggar Porgy comes in to join the game; he defends Crown’s woman, Bess, who the others are talking about. When Jake accuses him of being soft on her, Porgy says that he isn’t soft on any woman; God made him a cripple and meant him to be lonely.
Crown enters with Bess. He’s drunk, and when he loses he starts a fight and kills Robbins with a cotton hook. Crown runs to hide, but tells Bess he’ll be back. Sporting Life offers to take her to New York with him, but she refuses. Nobody else will give her shelter when the police arrive except Porgy.
Porgy and Bess are at Robbins’ funeral, where Serena is leading the mourners. The police enter and arrest Peter as a “material witness.” Serena is still mourning (“My man’s gone now”) as she convinces the undertaker to bury Robbins for less than his usual fee, but as the scene ends, Bess leads the mourners in a spiritual. (“Oh, the train is at the station”).
A few weeks later, Jake and the Fishermen are working on their nets when Porgy leans out the window and compares his life to theirs. (“I got plenty o’ nuttin’”). Maria, a shopkeeper, chases Sportin’ Life away from her shop when he tries to sell his ‘happy dust’ near her store (“I hates yo’ struttin’ style”). Lawyer Frazier comes in and sells Bess a divorce for a dollar; when he learns that she and Crown were never married, he raises his fee to a dollar and a half. Mr. Archdale, a well-meaning white man, comes in and offers to pay Peter’s bail. The group is frightened by a low-flying buzzard. Porgy chases it away, saying that trouble is far away from him now (“Boss, dat bird mean trouble”).
All leave except Bess and Sporting Life, who asks her again to come to New York with him and tries to give her more dope, which she refuses. Porgy chases him away and he and Bess sing about their new happiness. (“Bess, you is my woman now”). All except Porgy leave for the church picnic. At the picnic, Sporting Life sings about his own brand of religion (“It ain’t necessarily so”). All are getting ready to leave when Crown, hidden in the bushes, calls out to Bess. She tells him she’s Porgy’s woman now, but he won’t let her go. (“What you want wid Bess?”). He pushes her off into the thicket as the boat leaves without her.
Some time later, the fishermen are getting ready to leave as Bess raves, still delirious after Crown’s attack. Peter wants to send her to the hospital, but Serena would rather pray over her. The street fills with vendors, and eventually Bess emerges, and explains to Porgy that she wants to stay with him but that when Crown comes she’ll have to go with him. Porgy tells her that she doesn’t have to go with him (“I loves you, Porgy”). A hurricane begins to rise, and Clara, frightened for her husband, calls out his name.
Everyone, gathered in Clara’s room, prays for shelter from the storm. There is a knock at the door; Crown enters and tries to take Bess away; he laughs at the frightened townspeople and sings a bawdy song to counteract their prayers (“A red-headed woman”). Clara sees Jake’s boat and runs out to find him. Bess calls for a man to go after her; Crown goes, after taunting Porgy and asking him why he won’t go.
After the storm, the women are crying for their men; Sporting Life teases them and Bess. Crown enters; he and Porgy fight, and Porgy kills him.
The police and the coroner come to Catfish Row the next morning; they want to take Porgy down to identify Crown’s body. Sportin’ Life tells him that when he looks at him Crown’t wound will begin to bleed. Telling Bess that Porgy will be locked up for sure, Sportin’ Life forces some dope on her, and leaves more outside her door as he leaves.
Porgy returns; while he tries to distribute the gifts he bought with the money he made playing craps in jail, he discovers Bess is gone (“Oh, Bess, oh where’s my Bess”). He learns that she has gone off with Sportin’ Life to New York; he gets in his goat-cart and prepares to follow her as the curtain falls.
This was a very moving afternoon at the London Coliseum as the Cape Town Opera brought their own unique style to Porgy and Bess. There were wonderful performances from Xolela Sixaba as Porgy and Tsakane Valentine Maswanganwi as Bess. The music fron the Orchestra of the Welsh National Opera conducted by Albert Horne was outstanding and complemented the great singing on stage. The Cape Town Opera can be proud of their performance as they brought a true sense of the South African people to the heart of London.
This is the Blog of Andy Yourglivch bringing you Art, Culture, Literature, Music and Poetry direct from Norwich. A Fine City full of Fine Arts. To see a world in a grain of sand, and a heaven in a wildflower... hold infinity in the palm of your hand, and eternity in an hour...
Showing posts with label Gershwin. Show all posts
Showing posts with label Gershwin. Show all posts
Tuesday, 31 July 2012
Thursday, 7 June 2012
I Got Rhythm brings glitz to Norwich Theatre Royal
On Wednesday 30th May 2012 I was at Norwich Theatre Royal for the Northern Ballet's performance of David Nixon's I Got Rhythm. This was an evening of music, song and dance celebrating the wonderful music of George and Ira Gershwin.
The programme consisted of An American in Paris, The Man I Love, Three Preludes, I Got Rhythm, Embraceable You, Cuban Overture, Rhapsody in Blue, Summertime, My Man's Gone Now, I Got Plenty O'Nuttin, Bess You is My Woman and Girl Crazy.
With the Northern Ballet Sinfonia Orchestra on stage with the dancers this was truly a night of glitz and glamour at Norwich Theatre Royal as the Northern Ballet gave us a performance that was full of energy as Ballet met Jazz with brilliant results. I loved it that the Orchestra was on stage in big band style, which made for a spectacular experience. This was a fun production which was greatly enjoyed by the audience as we were treated to the sounds of the roaring twenties along with splendid dancing. I Got Rhythm, I Got Music. Who could ask for anything more.
The programme consisted of An American in Paris, The Man I Love, Three Preludes, I Got Rhythm, Embraceable You, Cuban Overture, Rhapsody in Blue, Summertime, My Man's Gone Now, I Got Plenty O'Nuttin, Bess You is My Woman and Girl Crazy.
With the Northern Ballet Sinfonia Orchestra on stage with the dancers this was truly a night of glitz and glamour at Norwich Theatre Royal as the Northern Ballet gave us a performance that was full of energy as Ballet met Jazz with brilliant results. I loved it that the Orchestra was on stage in big band style, which made for a spectacular experience. This was a fun production which was greatly enjoyed by the audience as we were treated to the sounds of the roaring twenties along with splendid dancing. I Got Rhythm, I Got Music. Who could ask for anything more.
Monday, 9 April 2012
Singing fun at Eaton!
On Sunday 1st April 2012 I attended the final concert in the Eaton Concert Series 2011/12 season at St. Andrew's Church, Eaton, Norwich with Gerard Carey and Neil Ricketts bringing us The Great American Songbook. They were performing at very short notice and had to put together their programme just before the start of the concert.
Gerard Carey graduated from London's famous Mountview Academy of Theatre Arts and is currently appearing with Broadway legend Tyne Daly in Terrence McNally's Master Class at London's Vaudeville Theatre. Neil Ricketts has accompanied and conducted various choral societies and choirs in numerous concerts over the past 25 years.
When October Goes is a ballad based on lyrics by Johnny Mercer with music by Barry Manilow which was sung brilliantly by Gerard Carey. Neil Ricketts treated us to a wonderful version of Gershwin's Summertime before the concert finished with Gerard Carey dressed in a kilt gave us a Scottish version of Andrew Lloyd Webber songs including Jesus Christ Superstar. This was a fun finish to this season's Eaton Concert Series.
Gerard Carey graduated from London's famous Mountview Academy of Theatre Arts and is currently appearing with Broadway legend Tyne Daly in Terrence McNally's Master Class at London's Vaudeville Theatre. Neil Ricketts has accompanied and conducted various choral societies and choirs in numerous concerts over the past 25 years.
When October Goes is a ballad based on lyrics by Johnny Mercer with music by Barry Manilow which was sung brilliantly by Gerard Carey. Neil Ricketts treated us to a wonderful version of Gershwin's Summertime before the concert finished with Gerard Carey dressed in a kilt gave us a Scottish version of Andrew Lloyd Webber songs including Jesus Christ Superstar. This was a fun finish to this season's Eaton Concert Series.
Monday, 14 November 2011
UEA Symphony Orchestra and all that Jazz!
On Friday 11th November 2011 I attended the UEA Symphony Orchestra's From The New World To Jazz David Potter Memorial Concert at St. Andrew's Hall, Norwich which also featured the UEA Duke Ellington Orchestra.
The programme for the evening was La Revue de Cuisine - Martinu, Piano Concerto in F - Gershwin, The Early Years - Duke Ellington and Symphony No.9 in E minor, Op 95, From the New World - Dvorak. Conductor for the evening was Sharon Andrea Choa while Alison Lincoln was soloist on Gershwin's Piano Concerto.
David Potter was an artist who loved to paint pictures of the Orchestra who passed away earlier this year. The programme was chosen from music that he enjoyed. The Save UEA Music campaign were handing out leaflets and asking the audience to sign their petition.
The concert opened with the fun of Martinu's La Revue de Cuisine complete with chef and saucepan headwear. The Kitchen Revue is strongly influenced by Jazz and is based on a tale of love and jealousy among a group of kitchen utensils.
George Gershwin's Piano Concerto in F was a triumph for the Orchestra and Alison Lincoln on piano as we were given a taste of the Twenties full of Broadway influences. The sound of New York that will remain timeless forever.
After the interval Vic Hobson led the UEA Duke Ellington Orchestra in a wonderful set of early works from Duke Ellington. We were treated to Black and Tan Fantasy, Rockin' in Rhythm and Mood Indigo that are all transcriptions of Ellington recordings made for the Lincoln Center by David Berger.
The evening ended on a high with Dvorak's Symphony No.9, Op 95 New World. The music reflects his experiences of America and was first performed in 1893. A mix of sounds that always thrills from the Czech composer. The night was a great example of the UEA School of Music providing music for the community in Norwich.
The programme for the evening was La Revue de Cuisine - Martinu, Piano Concerto in F - Gershwin, The Early Years - Duke Ellington and Symphony No.9 in E minor, Op 95, From the New World - Dvorak. Conductor for the evening was Sharon Andrea Choa while Alison Lincoln was soloist on Gershwin's Piano Concerto.
David Potter was an artist who loved to paint pictures of the Orchestra who passed away earlier this year. The programme was chosen from music that he enjoyed. The Save UEA Music campaign were handing out leaflets and asking the audience to sign their petition.
The concert opened with the fun of Martinu's La Revue de Cuisine complete with chef and saucepan headwear. The Kitchen Revue is strongly influenced by Jazz and is based on a tale of love and jealousy among a group of kitchen utensils.
George Gershwin's Piano Concerto in F was a triumph for the Orchestra and Alison Lincoln on piano as we were given a taste of the Twenties full of Broadway influences. The sound of New York that will remain timeless forever.
After the interval Vic Hobson led the UEA Duke Ellington Orchestra in a wonderful set of early works from Duke Ellington. We were treated to Black and Tan Fantasy, Rockin' in Rhythm and Mood Indigo that are all transcriptions of Ellington recordings made for the Lincoln Center by David Berger.
The evening ended on a high with Dvorak's Symphony No.9, Op 95 New World. The music reflects his experiences of America and was first performed in 1893. A mix of sounds that always thrills from the Czech composer. The night was a great example of the UEA School of Music providing music for the community in Norwich.
Wednesday, 9 November 2011
Xenia Horne's musical journey
After the Adie Oboe and Harp Duo cancelled it was harpist Xenia Horne who stepped in to make sure that the show went on for the latest in the Eaton Concert Series at St. Andrew's Church, Eaton, Norwich on Sunday 6th November 2011. With a varied programme she delighted the large audience with help from flautist Lucy Marks.
With music from Vivaldi, Prokofiev and Debussy to Irish harpist Turlough O'Carolan on to modern work from Stewart Green this was truly a very varied programme that thrilled us all. Flautist Lucy Marks joined Xenia for Fantasia on a Theme of Greensleeves, My Love is Like a Red Red Rose and Scarborough Fair.
From The Burning of the Piper's Hut to Gershwin's Summertime Xenia Horne took us on a fantastic journey through several centuries of music. The Eaton Concert Series is always full of wonderful surprises and a delightful place to spend a Sunday afternoon.
With music from Vivaldi, Prokofiev and Debussy to Irish harpist Turlough O'Carolan on to modern work from Stewart Green this was truly a very varied programme that thrilled us all. Flautist Lucy Marks joined Xenia for Fantasia on a Theme of Greensleeves, My Love is Like a Red Red Rose and Scarborough Fair.
From The Burning of the Piper's Hut to Gershwin's Summertime Xenia Horne took us on a fantastic journey through several centuries of music. The Eaton Concert Series is always full of wonderful surprises and a delightful place to spend a Sunday afternoon.
Monday, 3 October 2011
The Mozart Orchestra take us to the New World
On Saturday 1st October 2011 I attended The Mozart Orchestra's concert in support of the Big C at St. Andrew's Hall, Norwich. With Chrisopher Hopkins - Piano, Fiona Hutchins - Leader and Colin Dowdeswell - Conductor the programme for the evening was An Outdoor Overture - Copland, Piano Concerto in F - Gershwin and Symphony No. 9 From the New World - Dvorak.
All profits from the concert went to The Big C, Norfolk and Waveney's independent charity which helps local people and families through their cancer diagnosis, treatment, life and sometimes death.
Copland's Outdoor Overture came from his involvement in a moment called American Music for American Youth and was first performed in December 1938. This was a time when he turned his back on his earlier avant-garde phase to use folk themes.
Gershwin's Piano Concerto in F was composed in 1925 after musical educator Frank Damrosch heard the young Gershwin play the solo piano part in Rhapsody in Blue and contacted him with a commission for a full scale concerto.
Dvorak's Symphony No. 9 From the New World is from 1893 and was commissioned by the New York Philharmonic and incorporates both Native and African American themes with the folk music of Dvorak's native Bohemia.
The Mozart Orchestra put on a wonderful performance especially after the interval with Dvorak's Symphony No. 9 From the New World. I had a splendid view from my seat in the West Gallery as we were transported to an American landscape which had us all giving great applause at the end of the concert.
All profits from the concert went to The Big C, Norfolk and Waveney's independent charity which helps local people and families through their cancer diagnosis, treatment, life and sometimes death.
Copland's Outdoor Overture came from his involvement in a moment called American Music for American Youth and was first performed in December 1938. This was a time when he turned his back on his earlier avant-garde phase to use folk themes.
Gershwin's Piano Concerto in F was composed in 1925 after musical educator Frank Damrosch heard the young Gershwin play the solo piano part in Rhapsody in Blue and contacted him with a commission for a full scale concerto.
Dvorak's Symphony No. 9 From the New World is from 1893 and was commissioned by the New York Philharmonic and incorporates both Native and African American themes with the folk music of Dvorak's native Bohemia.
The Mozart Orchestra put on a wonderful performance especially after the interval with Dvorak's Symphony No. 9 From the New World. I had a splendid view from my seat in the West Gallery as we were transported to an American landscape which had us all giving great applause at the end of the concert.
Sunday, 19 June 2011
Strictly Gershwin full of Ballet and Jazz!
| Strictly Gershwin bringing glamour to the Royal Albert Hall |
Derek Deane's Strictly Gershwin mixes ballet, jazz, modern and tap dancing to provide us with a very spectacular show that enchanted us all. My highlight was Rhapsody in Blue which combined this musical kaleidoscope of America with classical ballet that summed up the whole spirit of the show.
This was bringing ballet to the masses with happiness and celebration. Act I was Gershwin on Broadway with Overture, I've Got A Crush On You, The Man I Love, Fascinatin' Rhythm, Shall We Dance, Someone To Watch Over Me, 'S Wonderful, Gershwin-terlude and An American in Paris.
Act II was just as delightful bringing us Gershwin in Hollywood with Rhapsody In Blue, Embraceable You, Lady Be Good, Summertime, But Not For Me, Who Cares?, Strike Up The Band, It Ain't Necessarily So, A Foggy Day and I Got Rhythm. This was all performed on the large Royal Albert Hall stage that had us all applauding in great appreciation.
I had a wonderful experience at the Royal Albert Hall and very much enjoyed the show. I was tap dancing in the rain all the way back to South Kensington Underground Station.
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