On the evening of Monday 17th February 2014 I attended The Russian State Ballet and Orchestra of Siberia's performance of Sleeping Beauty at Norwich Theatre Royal. This is the classic story of love and innocence, mystery and magic set to Tchaikovsky's sublime score.
A wicked fairy places a fatal curse on the baby Princess Aurora, which the good Lilac Fairy softens to a sleep of one hundred years. Only a prince’s kiss can break the spell. This is every child's favourite fairy tale which The Russian State Ballet of Siberia brought magically to life on the stage at Norwich Theatre Royal.
This was a night full of stunning choreography, sumptuous costumes and wonderful sets that formed the fantasy world in which the Lilac Fairy struggles against the evil Carabosse. The sell out audience had a brilliant evening full of fairy tale magic and the sounds of Tchaikovsky. It was fantastic to see such an amazing Ballet in my home city of Norwich.
This is the Blog of Andy Yourglivch bringing you Art, Culture, Literature, Music and Poetry direct from Norwich. A Fine City full of Fine Arts. To see a world in a grain of sand, and a heaven in a wildflower... hold infinity in the palm of your hand, and eternity in an hour...
Showing posts with label Ballet. Show all posts
Showing posts with label Ballet. Show all posts
Wednesday, 19 February 2014
Sunday, 22 December 2013
The Nutcracker at the London Coliseum
On Friday 20th December 2013 I attended the English National Ballet's matinee performance of Tchaikovsky's The Nutcracker at the London Coliseum. We took a journey back in time to a frost-covered, gas-lit London and joined Clara, her Nutcracker doll and the magician Drosselmeyer in this traditional, festive tale.
This production of The Nutcracker was based on a concept by Toer van Schayk and Wayne Eagling. There were fantastic performances from Elena Glurdjidze as Clara and Fabian Reimair as the Nutcracker. Gavin Sutherland conducted The Orchestra of English National Ballet.
On an enchanted Christmas Eve, under the heavy boughs of the candlelit tree Clara battled with the Mouse King and fell in love with a handsome stranger. As the air grew colder and snowflakes began to fall, Clara and her valiant Nutcracker took a hot air balloon ride across the frost-dusted London skyline to the glistening Land of Snow where her adventure really began.
In a world of Edwardian elegance, The Nutcracker brought to life the eternally popular Tchaikovsky score featuring the Dance of the Sugar Plum Fairy and the Waltz of the Flowers. This classical production is a magical, memorable and unmissable Christmas treat. This was the third year in a row that I have seen this production at the London Coliseum and it is always a wonderful experience and performance.
This production of The Nutcracker was based on a concept by Toer van Schayk and Wayne Eagling. There were fantastic performances from Elena Glurdjidze as Clara and Fabian Reimair as the Nutcracker. Gavin Sutherland conducted The Orchestra of English National Ballet.
On an enchanted Christmas Eve, under the heavy boughs of the candlelit tree Clara battled with the Mouse King and fell in love with a handsome stranger. As the air grew colder and snowflakes began to fall, Clara and her valiant Nutcracker took a hot air balloon ride across the frost-dusted London skyline to the glistening Land of Snow where her adventure really began.
In a world of Edwardian elegance, The Nutcracker brought to life the eternally popular Tchaikovsky score featuring the Dance of the Sugar Plum Fairy and the Waltz of the Flowers. This classical production is a magical, memorable and unmissable Christmas treat. This was the third year in a row that I have seen this production at the London Coliseum and it is always a wonderful experience and performance.
Friday, 22 November 2013
Matthew Bourne's Swan Lake at Norwich Theatre Royal
On the evening of Thursday 21st November 2013 I attended the performance of Matthew Bourne's Swan Lake at Norwich Theatre Royal. Thrilling, audacious and totally original, Matthew Bourne's legendary production transforms one of ballet's best -loved stories into a stylish, witty, poignant, contemporary tale with extravagant, award-winning designs by Lez Brotherston.
Perhaps best-known for replacing the traditional female corps de ballet with a menacing male ensemble, Matthew Bourne blends dance, style, humour, spectacle, character comedy and mime to create a provocative and powerful Swan Lake for our times. Originally written by Tchaikovsky in the late 19th century, Swan Lake was staged at Moscow’s Bolshoi Theatre in 1877.
There were fantastic performances from Jonathan Ollivier as The Swan, Sam Archer as The Prince and Madelaine Brennan as The Queen on a magical and fun night at Norwich Theatre Royal. This is the Modern Dance version of Swan Lake and is a very powerful and inspired production.
Perhaps best-known for replacing the traditional female corps de ballet with a menacing male ensemble, Matthew Bourne blends dance, style, humour, spectacle, character comedy and mime to create a provocative and powerful Swan Lake for our times. Originally written by Tchaikovsky in the late 19th century, Swan Lake was staged at Moscow’s Bolshoi Theatre in 1877.
There were fantastic performances from Jonathan Ollivier as The Swan, Sam Archer as The Prince and Madelaine Brennan as The Queen on a magical and fun night at Norwich Theatre Royal. This is the Modern Dance version of Swan Lake and is a very powerful and inspired production.
Thursday, 10 October 2013
Northern Ballet's A Christmas Carol at Norwich Theatre Royal
On the evening of Wednesday 9th October 2013 I attended the Northern Ballet's performance of A Christmas Carol at Norwich Theatre Royal. Christmas arrived early this year as Northern Ballet's heart-warming and hugely popular adaptation of Charles Dickens' classic tale returned to the stage.
Colourful sets and costumes by Olivier Award winning Lez Brotherston (Northern Ballet's Romeo and Juliet, Matthew Bourne's Sleeping Beauty, Swan Lake, Edward Scissorhands) conjured up a traditional Victorian Christmas, while Carl Davis' festive score blended classical music with traditional Christmas Carols, played live by Northern Ballet Sinfonia. A Christmas Carol has been an audience favourite for over 20 years and was a guarantee to get the festive season off to a magical start.
This adaptation of Charles Dickens' classic tale brought the magic of Christmas to Norwich Theatre Royal featuring three terrifying ghosts. There were fantastic performances from Sebastian Loe as Scrooge, Pippa Moore as Ghost of Christmas Past, Isaac Lee-Baker as Ghost of Christmas Present, Joseph Taylor as Ghost of Christmas Future and Jessica Morgan as Mrs Cratchit.
I will live in the Past, the Present and the Future!’ Scrooge repeated, as he scrambled out of bed. He was so fluttered and so glowing with his good intentions … the shadows of the things that would have been, may be dispelled. They will be. I know they will! This was such a magical evening to be in attendance at Norwich Theatre Royal as Northern Ballet put us in a festive mood. God Bless Us, Every One.
Colourful sets and costumes by Olivier Award winning Lez Brotherston (Northern Ballet's Romeo and Juliet, Matthew Bourne's Sleeping Beauty, Swan Lake, Edward Scissorhands) conjured up a traditional Victorian Christmas, while Carl Davis' festive score blended classical music with traditional Christmas Carols, played live by Northern Ballet Sinfonia. A Christmas Carol has been an audience favourite for over 20 years and was a guarantee to get the festive season off to a magical start.
This adaptation of Charles Dickens' classic tale brought the magic of Christmas to Norwich Theatre Royal featuring three terrifying ghosts. There were fantastic performances from Sebastian Loe as Scrooge, Pippa Moore as Ghost of Christmas Past, Isaac Lee-Baker as Ghost of Christmas Present, Joseph Taylor as Ghost of Christmas Future and Jessica Morgan as Mrs Cratchit.
I will live in the Past, the Present and the Future!’ Scrooge repeated, as he scrambled out of bed. He was so fluttered and so glowing with his good intentions … the shadows of the things that would have been, may be dispelled. They will be. I know they will! This was such a magical evening to be in attendance at Norwich Theatre Royal as Northern Ballet put us in a festive mood. God Bless Us, Every One.
Sunday, 6 October 2013
Don Quixote at The Royal Opera House
On Saturday 5th October 2013 I attended The Royal Ballet's matinee performance of Don Quixote at The Royal Opera House. I caught a early train from Norwich to London eagerly looking forward to this fantastic event.
Carlos Acosta presented his first work for The Royal Ballet, a dance adaptation of the classic novel by Miguel de Cervantes. Acosta has already established himself as an exciting choreographic talent with Tocororo – A Cuban Tale, a semi-autobiographical work that draws on his childhood in Cuba and broke box office records at Sadler’s Wells Theatre in 2003.
The adventures of the bumbling knight Don Quixote and his ever-faithful squire Sancho Panza have been the inspiration for countless ballets, of which one of the most well-loved is the version by 19th-century Russian choreographer Marius Petipa. Acosta has danced the virtuoso role of Basilio many times, and now brings his unique and vibrant vision to the story, drawing on Petipa and with music by Ludwig Minkus, full of Spanish flair and atmosphere. Don Quixote, with its famously bravura Act III pas de deux and its infectious joie de vivre makes for a wonderfully entertaining experience.
There were fantastic performances from William Tuckett as Don Quixote, Roberta Marquez as Kitri, Alexander Campbell as Basilio and Laura Morera as Mercedes as The Royal Ballet brought this colourful Spanish novel to the stage. Don Quixote was a ballet full of emotions and amazing dancing. The costumes were sensational as this new production of this exuberant tale of friendship, love and loyalty gave us an afternoon to remember.
The adventures of the bumbling knight Don Quixote and his ever-faithful squire Sancho Panza have been the inspiration for countless ballets, of which one of the most well-loved is the version by 19th-century Russian choreographer Marius Petipa. Acosta has danced the virtuoso role of Basilio many times, and now brings his unique and vibrant vision to the story, drawing on Petipa and with music by Ludwig Minkus, full of Spanish flair and atmosphere. Don Quixote, with its famously bravura Act III pas de deux and its infectious joie de vivre makes for a wonderfully entertaining experience.
There were fantastic performances from William Tuckett as Don Quixote, Roberta Marquez as Kitri, Alexander Campbell as Basilio and Laura Morera as Mercedes as The Royal Ballet brought this colourful Spanish novel to the stage. Don Quixote was a ballet full of emotions and amazing dancing. The costumes were sensational as this new production of this exuberant tale of friendship, love and loyalty gave us an afternoon to remember.
Sunday, 12 May 2013
The Great Gatsby at Norwich Theatre Royal
On Thursday 2nd May 2013 I attended the Northern Ballet's performance of The Great Gatsby at Norwich Theatre Royal. This production with choreography by David Nixon and music by Sir Richard Rodney Bennett CBE brought F Scott Fitzgerald's classic novel to the stage. We were taken to to the heady, indulgent days of New York's Long Island during the glamorous Twenties.
Nick Carraway comes to know his infamous neighbour Jay Gatsby, a mysterious millionaire with a secret past and a penchant for lavish parties and beautiful women. As the sparkling facade of Gatsby’s world begins to slip, Carraway comes to see the loneliness, obsession and tragedy that lies beneath. This era was brought to the Norwich Theatre Royal stage by designers Tim Mitchell and Jérôme Kaplan.
The Northern Ballet are great at story ballets and this is one that they can be very proud of. The costume design was absolutely stunning and beautiful. The ballet score played by the Northern Ballet Sinfonia contained all four elements of Sir Richard Rodney Bennett's diverse expertise: his symphonic work, film music, jazz and popular song.
I very much enjoyed this stylish and wonderful performance of The Great Gatsby from the Northern Ballet at Norwich Theatre Royal. This was a classic story told by dance as the magic of the Twenties, full of the sound of Jazz gave us a night of memories to treasure.
Nick Carraway comes to know his infamous neighbour Jay Gatsby, a mysterious millionaire with a secret past and a penchant for lavish parties and beautiful women. As the sparkling facade of Gatsby’s world begins to slip, Carraway comes to see the loneliness, obsession and tragedy that lies beneath. This era was brought to the Norwich Theatre Royal stage by designers Tim Mitchell and Jérôme Kaplan.
The Northern Ballet are great at story ballets and this is one that they can be very proud of. The costume design was absolutely stunning and beautiful. The ballet score played by the Northern Ballet Sinfonia contained all four elements of Sir Richard Rodney Bennett's diverse expertise: his symphonic work, film music, jazz and popular song.
I very much enjoyed this stylish and wonderful performance of The Great Gatsby from the Northern Ballet at Norwich Theatre Royal. This was a classic story told by dance as the magic of the Twenties, full of the sound of Jazz gave us a night of memories to treasure.
Sunday, 30 December 2012
The Nutcracker at the London Coliseum
On the evening of Saturday 29th December 2012 I attended a traditional London Christmas performance of Tchaikovsky's The Nutcracker. My festive destination was the London Coliseum for the English National Ballet's production of this timeless classic.A combination of Wayne Eagling's choreography and Peter Farmer's designs brought us the magic of Christmas while showing a darker version with the threatening presence of the Mouse King being felt throughout the ballet until finally good triumphs over evil. The Orchestra of English National Ballet played beautifully at this historic London Theatre while Tamara Rojo as Clara and Esteban Berlanga as the Nephew were outstanding. Tamara Rojo is in her first season as Artistic Director of English National Ballet.
The audience at the London Coliseum were taken on a journey back in time with the English National Ballet to a frost-covered, gas lit world with Clara, her Nutcracker doll and the mysterious Drosselmeyer in this traditional, festive tale full of Edwardian elegance. On Christmas Eve under the candlelit tree Clara battles with the Mouse King and falls in love with a handsome Prince. As the snowflakes begin to fall Clara and her Nutcracker take a balloon ride across the frosty skyline to the Land of Snow where her adventure really begins.
This was a magical and memorable treat not to be missed and showed us all the magic of Christmas combined with wonderful ballet and music. The setting was perfect as we were all enchanted by this perfect festive story. Christmas is not complete without The Nutcracker.
Saturday, 15 December 2012
Matthew Bourne's Sleeping Beauty Magic!
Matthew Bourne's Sleeping Beauty arrived at Norwich Theatre Royal in November as New Adventures' 25th Anniversary celebrations in 2012 culminated in the world premiere of Matthew Bourne's latest re-imagining of an iconic and beloved ballet classic. Matthew Bourne's Sleeping Beauty sees the choreographer return to the music of Tchaikovsky to complete the trio of the composer's ballet masterworks.
I attended the matinee performance on Saturday 24th November 2012 as Matthew Bourne's gothic fairy tale brought the magic of Tchaikovsky to Norwich Theatre Royal. Perrault's timeless fairy tale about a young girl cursed to sleep for one hundred years, was turned into a ballet by Marius Petipa in 1890. Matthew Bourne takes this as his starting point, setting the christening of Aurora in the year of the ballet's first performance. This was a period when fairies, vampires and decadent opulence fed the gothic imagination.
As Aurora grows into a young woman we move forward to a mythical golden age of long summer afternoons, cricket and new dance crazes. Years later, awakening from her century long slumber, Aurora finds herself in the modern day. This haunting new scenario creates a supernatural love story across the decades, that even the passage of time itself cannot hinder.
This was a magical afternoon at Norwich Theatre Royal as once again Matthew Bourne has done something different and unique to a traditional classic ballet. There was lots of fun in this tale of good versus evil as Sleeping Beauty was turned into a gothic tales for all ages.
I attended the matinee performance on Saturday 24th November 2012 as Matthew Bourne's gothic fairy tale brought the magic of Tchaikovsky to Norwich Theatre Royal. Perrault's timeless fairy tale about a young girl cursed to sleep for one hundred years, was turned into a ballet by Marius Petipa in 1890. Matthew Bourne takes this as his starting point, setting the christening of Aurora in the year of the ballet's first performance. This was a period when fairies, vampires and decadent opulence fed the gothic imagination.
As Aurora grows into a young woman we move forward to a mythical golden age of long summer afternoons, cricket and new dance crazes. Years later, awakening from her century long slumber, Aurora finds herself in the modern day. This haunting new scenario creates a supernatural love story across the decades, that even the passage of time itself cannot hinder.
This was a magical afternoon at Norwich Theatre Royal as once again Matthew Bourne has done something different and unique to a traditional classic ballet. There was lots of fun in this tale of good versus evil as Sleeping Beauty was turned into a gothic tales for all ages.
Monday, 29 October 2012
Swan Lake at The Royal Opera House
On Saturday 13th October 2012 I caught the early train from Norwich to London looking forward to a splendid day which included attending The Royal Ballet's matinee performance of Swan Lake at The Royal Opera House.
Swan Lake was Pyotr Il’yich Tchaikovsky's first score for ballet which was premiered in 1877. Anthony Dowell's romantic interpretation returns the ballet to its 1895 origins by using the choreography of Lev Ivanov and Marius Petipa.
In the castle grounds Benno von Somerstein and other friends of Prince Siegfried are waiting for his arrival to celebrate his coming of age. A feast begins when the Prince and his tutor Wolfgang appear. The Queen reminds the Prince that tomorrow he must formally choose his bride at the ball. When the party finishes the Prince tells Benno and Wolfgang that he wants to remain for a little longer on his own.
Prince Siegfried is magically drawn to the banks of the lake where a flock of white swans are swimming. One of the Swans tells the Prince that she is Princess Odette and that she and her companions have been bewitched by the Evil Genius who in the form of a huge black bird is constantly guarding them. By day the girls are fated to take the form of swans and only at night are they restored to their human form. The spell will be broken when a man falls in love with the Princess.
They dance for the Prince who is captivated by Odette and swears to save her from the magic of the Evil Genius. Odette warns him that the Evil Genius can only be overthrown when a man is prepared to sacrifice his life for love. The Prince invites Odette to the ball.
The Master of Ceremonies gives his final orders as people arrive for the ball. The Queen and Prince Siegfried greet their guests and the brides appear and dance for the Prince. He finds them all charming and beautiful but none to whom he can swear eternal love.
Fanfares announce the arrival of Von Rothbart and his daughter Odile who resembles Odette. The Prince becomes captivated by her. Odette tries to remind him of the Evil Genius and his dangerous magic but the Prince does not see her.
Convinced that Odile and Odette are the same girl Prince Siegfried chooses Odile as his bride. He suddenly sees Odette and realises that he has been deceived. Von Rothbart and Odile disappear leaving Odette destined to remain forever in the powers of the Evil Genius.
The Prince begs Odette to forgive him for his unwitting betrayal swearing his love. He is ready to sacrifice his life to defeat the Evil Genius and rushes into the waves carrying the tyrant bird with him. Both die in the cold waters of the mysterious lake leaving Odette grieving for her beloved Prince.
Brilliant performances from Marianela Nunez as Odette/Odile and Thiago Soares as Prince Siegfried made for a wonderful time in Covent Garden at The Royal Opera House as The Royal Ballet performed the magic of Swan Lake. Fantastic costumes showed the contrast between human and spirit worlds, while glowing lanterns and shimmering fabrics designed by the work of Carl Fabergé created a magical setting. The Orchestra of The Royal Opera House conducted by Boris Gruzin combined with the outstanding dancing from The Royal Ballet made this the perfect afternoon in London.
Swan Lake was Pyotr Il’yich Tchaikovsky's first score for ballet which was premiered in 1877. Anthony Dowell's romantic interpretation returns the ballet to its 1895 origins by using the choreography of Lev Ivanov and Marius Petipa.
In the castle grounds Benno von Somerstein and other friends of Prince Siegfried are waiting for his arrival to celebrate his coming of age. A feast begins when the Prince and his tutor Wolfgang appear. The Queen reminds the Prince that tomorrow he must formally choose his bride at the ball. When the party finishes the Prince tells Benno and Wolfgang that he wants to remain for a little longer on his own.
Prince Siegfried is magically drawn to the banks of the lake where a flock of white swans are swimming. One of the Swans tells the Prince that she is Princess Odette and that she and her companions have been bewitched by the Evil Genius who in the form of a huge black bird is constantly guarding them. By day the girls are fated to take the form of swans and only at night are they restored to their human form. The spell will be broken when a man falls in love with the Princess.
They dance for the Prince who is captivated by Odette and swears to save her from the magic of the Evil Genius. Odette warns him that the Evil Genius can only be overthrown when a man is prepared to sacrifice his life for love. The Prince invites Odette to the ball.
The Master of Ceremonies gives his final orders as people arrive for the ball. The Queen and Prince Siegfried greet their guests and the brides appear and dance for the Prince. He finds them all charming and beautiful but none to whom he can swear eternal love.
Fanfares announce the arrival of Von Rothbart and his daughter Odile who resembles Odette. The Prince becomes captivated by her. Odette tries to remind him of the Evil Genius and his dangerous magic but the Prince does not see her.
Convinced that Odile and Odette are the same girl Prince Siegfried chooses Odile as his bride. He suddenly sees Odette and realises that he has been deceived. Von Rothbart and Odile disappear leaving Odette destined to remain forever in the powers of the Evil Genius.
The Prince begs Odette to forgive him for his unwitting betrayal swearing his love. He is ready to sacrifice his life to defeat the Evil Genius and rushes into the waves carrying the tyrant bird with him. Both die in the cold waters of the mysterious lake leaving Odette grieving for her beloved Prince.
Brilliant performances from Marianela Nunez as Odette/Odile and Thiago Soares as Prince Siegfried made for a wonderful time in Covent Garden at The Royal Opera House as The Royal Ballet performed the magic of Swan Lake. Fantastic costumes showed the contrast between human and spirit worlds, while glowing lanterns and shimmering fabrics designed by the work of Carl Fabergé created a magical setting. The Orchestra of The Royal Opera House conducted by Boris Gruzin combined with the outstanding dancing from The Royal Ballet made this the perfect afternoon in London.
Labels:
Anthony Dowell,
Ballet,
Boris Gruzin,
Carl Faberge,
Classical Music,
Covent Garden,
Dance,
Lev Ivanov,
London,
Marianela Nunez,
Music,
Petipa,
Royal Ballet,
Royal Opera House,
Swan Lake,
Tchaikovsky,
Thiago Soares
Saturday, 20 October 2012
Beauty and the Beast at Norwich Theatre Royal
A handsome Prince is transformed into a Beast as punishment for his ugly arrogance. Only true love can break the spell. A beautiful young woman is sent to live with the Beast though afraid at first she soon learns that she has nothing to fear except that the Beast longs for a love that she cannot return.
Beauty and the Beast is the stunning new production from David Nixon and the Northern Ballet. On Saturday 6th October 2012 I attended the matinee performance of this magical ballet which brings an enchanted world full fairies, sprites and goblins to the stage. The amazing score which included music from Saint-Saens, Bizet, Debussy, Poulenc and Glazunov was delightfully played by the Northern Ballet Sinfonia.
The dancers were dressed in haute couture style costumes which gave a wonderful look to this timeless fairytale. Fantastic performances from Pippa Moore as the Beauty, Tobias Batley as Prince Orian, Jessica Morgan as Chantelle, Michela Paolacci as Isabelle and Benjamin Mitchell as the Beast made this an afternoon to remember that proved that beauty is more than skin deep.
Beauty and the Beast is the stunning new production from David Nixon and the Northern Ballet. On Saturday 6th October 2012 I attended the matinee performance of this magical ballet which brings an enchanted world full fairies, sprites and goblins to the stage. The amazing score which included music from Saint-Saens, Bizet, Debussy, Poulenc and Glazunov was delightfully played by the Northern Ballet Sinfonia.
The dancers were dressed in haute couture style costumes which gave a wonderful look to this timeless fairytale. Fantastic performances from Pippa Moore as the Beauty, Tobias Batley as Prince Orian, Jessica Morgan as Chantelle, Michela Paolacci as Isabelle and Benjamin Mitchell as the Beast made this an afternoon to remember that proved that beauty is more than skin deep.
Sunday, 8 July 2012
Giselle at Norwich Theatre Royal
On the afternoon of Saturday 30th June 2012 I attended the English Youth Ballet's matinee performance of Giselle at Norwich Theatre Royal. The English Youth Ballet was set up in 1998 as a pilot project at the Octagon Theatre, Somerset to give young dancers in the regions of England more opportunities to perform classical ballet within a professional setting.
Adolphe Adam's Giselle was first produced at the Paris Opera in 1841. The ballet is based on the legend of the Wilis, spirits of dance loving brides who have died tragically before their wedding day. Led by Queen Myrtha they perform their ghostly rites and seek revenge on any man who crosses their path. This production from Janet Lewis was adapted by adding extra music composed by Adolphe Adam and setting it on an English country estate in 1912 where Prince Albert is an army officer preparing for the First World War.
This was a wonderful afternoon to be at Norwich Theatre Royal with amazing dancing complete with costumes designed by Keith Bish which had been beautifully updated. English Youth Ballet have injected new life into this ballet from the Romantic Ballet period with the upstairs, downstairs theme. Performances like this give a great opportunity to young dancers. Well done to The English Youth Ballet and Norwich Theatre Royal for helping the development and enthusiasm for classical ballet.
Adolphe Adam's Giselle was first produced at the Paris Opera in 1841. The ballet is based on the legend of the Wilis, spirits of dance loving brides who have died tragically before their wedding day. Led by Queen Myrtha they perform their ghostly rites and seek revenge on any man who crosses their path. This production from Janet Lewis was adapted by adding extra music composed by Adolphe Adam and setting it on an English country estate in 1912 where Prince Albert is an army officer preparing for the First World War.
This was a wonderful afternoon to be at Norwich Theatre Royal with amazing dancing complete with costumes designed by Keith Bish which had been beautifully updated. English Youth Ballet have injected new life into this ballet from the Romantic Ballet period with the upstairs, downstairs theme. Performances like this give a great opportunity to young dancers. Well done to The English Youth Ballet and Norwich Theatre Royal for helping the development and enthusiasm for classical ballet.
Thursday, 7 June 2012
I Got Rhythm brings glitz to Norwich Theatre Royal
On Wednesday 30th May 2012 I was at Norwich Theatre Royal for the Northern Ballet's performance of David Nixon's I Got Rhythm. This was an evening of music, song and dance celebrating the wonderful music of George and Ira Gershwin.
The programme consisted of An American in Paris, The Man I Love, Three Preludes, I Got Rhythm, Embraceable You, Cuban Overture, Rhapsody in Blue, Summertime, My Man's Gone Now, I Got Plenty O'Nuttin, Bess You is My Woman and Girl Crazy.
With the Northern Ballet Sinfonia Orchestra on stage with the dancers this was truly a night of glitz and glamour at Norwich Theatre Royal as the Northern Ballet gave us a performance that was full of energy as Ballet met Jazz with brilliant results. I loved it that the Orchestra was on stage in big band style, which made for a spectacular experience. This was a fun production which was greatly enjoyed by the audience as we were treated to the sounds of the roaring twenties along with splendid dancing. I Got Rhythm, I Got Music. Who could ask for anything more.
The programme consisted of An American in Paris, The Man I Love, Three Preludes, I Got Rhythm, Embraceable You, Cuban Overture, Rhapsody in Blue, Summertime, My Man's Gone Now, I Got Plenty O'Nuttin, Bess You is My Woman and Girl Crazy.
With the Northern Ballet Sinfonia Orchestra on stage with the dancers this was truly a night of glitz and glamour at Norwich Theatre Royal as the Northern Ballet gave us a performance that was full of energy as Ballet met Jazz with brilliant results. I loved it that the Orchestra was on stage in big band style, which made for a spectacular experience. This was a fun production which was greatly enjoyed by the audience as we were treated to the sounds of the roaring twenties along with splendid dancing. I Got Rhythm, I Got Music. Who could ask for anything more.
Monday, 2 April 2012
Falling down the rabbit hole at The Royal Opera House
On Monday 26th March 2012 I made the trip to London to attend The Royal Ballet's performance of Alice's Adventures in Wonderland at The Royal Opera House. It's always wonderful to be at this historic venue especially on nights like this.
Alice's Adventure's in Wonderland is a ballet in three acts instead of two after slight amendments from its premiere last year. Choreography by Christopher Wheeldon and music by Joby Talbot. On my visit to The Royal Opera House Lauren Cuthbertson played Alice with Federico Bonelli as Jack/The Knave of Hearts.
The Victorian childhood of Lewis Carroll’s Alice and her encounters with extraordinary people, strange creatures and unusual events gave The Royal Ballet an entire new world to create which they did brilliantly. We all loved Edward Watson as The White Rabbit and I particularly loved the Cheshire Cat. We were all scared by Laura Morera as The Queen of Hearts hoping that we all still had our heads at the end of the evening. This is a ballet for the 21st Century, full of magic that takes you to the world of Alice falling down the rabbit hole in Lewis Carroll's classic novel.
Alice's Adventure's in Wonderland is a ballet in three acts instead of two after slight amendments from its premiere last year. Choreography by Christopher Wheeldon and music by Joby Talbot. On my visit to The Royal Opera House Lauren Cuthbertson played Alice with Federico Bonelli as Jack/The Knave of Hearts.
The Victorian childhood of Lewis Carroll’s Alice and her encounters with extraordinary people, strange creatures and unusual events gave The Royal Ballet an entire new world to create which they did brilliantly. We all loved Edward Watson as The White Rabbit and I particularly loved the Cheshire Cat. We were all scared by Laura Morera as The Queen of Hearts hoping that we all still had our heads at the end of the evening. This is a ballet for the 21st Century, full of magic that takes you to the world of Alice falling down the rabbit hole in Lewis Carroll's classic novel.
Saturday, 3 March 2012
Swan Lake Magic at Ipswich Regent
The Ipswich Regent Theatre was full of the magic of Swan Lake on the evening of Friday 24th February 2012 as The Russian State Ballet Siberia brought this great Romantic Ballet to the stage in the heart of Suffolk. I made the journey to Ipswich greatly looking forward to this wonderful event.
Tchaikovsky composed the music for Swan Lake in 1876 with choreography by Julius Reisinger in 1877. In 1895 a portion of the ballet was remounted as a memorial to Tchaikovsky by Marius Petipa and Lev Ivanov. Sergei Bobrov has been Artistic Director of The Russian State Ballet of Siberia since 2002 and his production is in the style and mood of nineteenth century classicism.
In the castle grounds Benno von Somerstein and other friends of Prince Siegfried are waiting for his arrival to celebrate his coming of age. A feast begins when the Prince and his tutor Wolfgang appear. The Queen reminds the Prince that tomorrow he must formally choose his bride at the ball. When the party finishes the Prince tells Benno and Wolfgang that he wants to remain for a little longer on his own.
Prince Siegfried is magically drawn to the banks of the lake where a flock of white swans are swimming. One of the Swans tells the Prince that she is Princess Odette and that she and her companions have been bewitched by the Evil Genius who in the form of a huge black bird is constantly guarding them. By day the girls are fated to take the form of swans and only at night are they restored to their human form. The spell will be broken when a man falls in love with the Princess.
They dance for the Prince who is captivated by Odette and swears to save her from the magic of the Evil Genius. Odette warns him that the Evil Genius can only be overthrown when a man is prepared to sacrifice his life for love. The Prince invites Odette to the ball.
The Master of Ceremonies gives his final orders as people arrive for the ball. The Queen and Prince Siegfried greet their guests and the brides appear and dance for the Prince. He finds them all charming and beautiful but none to whom he can swear eternal love.
Fanfares announce the arrival of Von Rothbart and his daughter Odile who resembles Odette. The Prince becomes captivated by her. Odette tries to remind him of the Evil Genius and his dangerous magic but the Prince does not see her.
Convinced that Odile and Odette are the same girl Prince Siegfried chooses Odile as his bride. He suddenly sees Odette and realises that he has been deceived. Von Rothbart and Odile disappear leaving Odette destined to remain forever in the powers of the Evil Genius.
The Prince begs Odette to forgive him for his unwitting betrayal swearing his love. He is ready to sacrifice his life to defeat the Evil Genius and rushes into the waves carrying the tyrant bird with him. Both die in the cold waters of the mysterious lake leaving Odette grieving for her beloved Prince.
With brilliant performances from Maria Kuimova as Odette and Odile along with Kirill Litvinenko as Prince Siegfried we were all truly captivated and taken into the world of Swan Lake. The Russian State Ballet of Siberia are a ballet company of the highest quality. Alexander Yudasin conducted the Orchestra who played the familiar music by Tchaikovsky that is always very moving to hear. This was a night that everyone in attendance will remember for a long time.
Tchaikovsky composed the music for Swan Lake in 1876 with choreography by Julius Reisinger in 1877. In 1895 a portion of the ballet was remounted as a memorial to Tchaikovsky by Marius Petipa and Lev Ivanov. Sergei Bobrov has been Artistic Director of The Russian State Ballet of Siberia since 2002 and his production is in the style and mood of nineteenth century classicism.
In the castle grounds Benno von Somerstein and other friends of Prince Siegfried are waiting for his arrival to celebrate his coming of age. A feast begins when the Prince and his tutor Wolfgang appear. The Queen reminds the Prince that tomorrow he must formally choose his bride at the ball. When the party finishes the Prince tells Benno and Wolfgang that he wants to remain for a little longer on his own.
Prince Siegfried is magically drawn to the banks of the lake where a flock of white swans are swimming. One of the Swans tells the Prince that she is Princess Odette and that she and her companions have been bewitched by the Evil Genius who in the form of a huge black bird is constantly guarding them. By day the girls are fated to take the form of swans and only at night are they restored to their human form. The spell will be broken when a man falls in love with the Princess.
They dance for the Prince who is captivated by Odette and swears to save her from the magic of the Evil Genius. Odette warns him that the Evil Genius can only be overthrown when a man is prepared to sacrifice his life for love. The Prince invites Odette to the ball.
The Master of Ceremonies gives his final orders as people arrive for the ball. The Queen and Prince Siegfried greet their guests and the brides appear and dance for the Prince. He finds them all charming and beautiful but none to whom he can swear eternal love.
Fanfares announce the arrival of Von Rothbart and his daughter Odile who resembles Odette. The Prince becomes captivated by her. Odette tries to remind him of the Evil Genius and his dangerous magic but the Prince does not see her.
Convinced that Odile and Odette are the same girl Prince Siegfried chooses Odile as his bride. He suddenly sees Odette and realises that he has been deceived. Von Rothbart and Odile disappear leaving Odette destined to remain forever in the powers of the Evil Genius.
The Prince begs Odette to forgive him for his unwitting betrayal swearing his love. He is ready to sacrifice his life to defeat the Evil Genius and rushes into the waves carrying the tyrant bird with him. Both die in the cold waters of the mysterious lake leaving Odette grieving for her beloved Prince.
With brilliant performances from Maria Kuimova as Odette and Odile along with Kirill Litvinenko as Prince Siegfried we were all truly captivated and taken into the world of Swan Lake. The Russian State Ballet of Siberia are a ballet company of the highest quality. Alexander Yudasin conducted the Orchestra who played the familiar music by Tchaikovsky that is always very moving to hear. This was a night that everyone in attendance will remember for a long time.
Wednesday, 8 February 2012
Romeo and Juliet at Norwich Theatre Royal
I made my way to Norwich Theatre Royal on Wednesday 1st February 2012 to attend the Moscow City Ballet performance of Romeo and Juliet. The Company was formed in 1988 by Victor Smirnov-Golovanov who enjoys bringing his heritage of classical ballet in the Moscow style to audiences all over the world.
Sergei Prokofiev's classic ballet was brought to Norwich Theatre in style with Liliya Orekhova as Juliet and Daniil Orlov as Romeo. The music was played by the Moscow City Ballet Orchestra conducted by Igor Savruk.
The ballet begins with a struggle between The Lords Montague and Capulet. Wearing a disguise, Romeo Montague crashes a party at the Capulet house, where he meets Juliet Capulet and falls in love. Hoping to finally put an end to the family feud, Friar Laurence secretly marries the couple. But the feuding continues. Tybalt kills Romeo's friend Mercutio and after Romeo avenges Mercutio's death by killing Tybalt he is sent into exile.
Friar Laurence devises a plan to help Juliet. She is to drink a sleeping potion to make her appear dead. After her family bury her Romeo will rescue her from her tomb and take her away. They will then live happily ever after. Romeo returns home on hearing the news of Juliet desperately grieving. He never received the message from Friar Laurence and believing that Juliet is really dead he drinks poison. Juliet awakes and sees that Romeo is dead and stabs herself.
This was a powerful performance from the Moscow City Ballet full of beauty with Liliya Orekhova as Juliet being the star of the night. Everyone in attendance at Norwich Theatre Royal must have been enchanted by her and thrilled by Sergei Prokofiev's magical ballet. The music from the Moscow City Ballet Orchestra was splendid and uplifting and truly made this a night to remember.
Sergei Prokofiev's classic ballet was brought to Norwich Theatre in style with Liliya Orekhova as Juliet and Daniil Orlov as Romeo. The music was played by the Moscow City Ballet Orchestra conducted by Igor Savruk.
The ballet begins with a struggle between The Lords Montague and Capulet. Wearing a disguise, Romeo Montague crashes a party at the Capulet house, where he meets Juliet Capulet and falls in love. Hoping to finally put an end to the family feud, Friar Laurence secretly marries the couple. But the feuding continues. Tybalt kills Romeo's friend Mercutio and after Romeo avenges Mercutio's death by killing Tybalt he is sent into exile.
Friar Laurence devises a plan to help Juliet. She is to drink a sleeping potion to make her appear dead. After her family bury her Romeo will rescue her from her tomb and take her away. They will then live happily ever after. Romeo returns home on hearing the news of Juliet desperately grieving. He never received the message from Friar Laurence and believing that Juliet is really dead he drinks poison. Juliet awakes and sees that Romeo is dead and stabs herself.
This was a powerful performance from the Moscow City Ballet full of beauty with Liliya Orekhova as Juliet being the star of the night. Everyone in attendance at Norwich Theatre Royal must have been enchanted by her and thrilled by Sergei Prokofiev's magical ballet. The music from the Moscow City Ballet Orchestra was splendid and uplifting and truly made this a night to remember.
Saturday, 31 December 2011
The Nutcracker at the London Coliseum
On Friday 30th December 2011 I made the traditional Christmas journey to London to attend a performance of Tchaikovsky's The Nutcracker. My festive destination was the London Coliseum for the English National Ballet's production of this timeless classic. This production was premiered last year, the creation of which was captured on the BBC documentary Agony and Ecstasy: a year at English National Ballet.
A combination of Wayne Eagling's choreography and Peter Farmer's designs brought us the magic of Christmas while showing a darker version with the threatening presence of the Mouse King being felt throughout the ballet until finally good triumphs over evil. The Orchestra of English National Ballet played beautifully at this historic London Theatre while Anais Chalendard was outstanding in the role of Clara.
The audience at the London Coliseum were taken on a journey back in time with the English National Ballet to a frost-covered, gas lit world with Clara, her Nutcracker doll and the mysterious Drosselmeyer in this traditional, festive tale full of Edwardian elegance. On Christmas Eve under the candlelit tree Clara battles with the Mouse King and falls in love with a handsome Prince. As the snowflakes begin to fall Clara and her Nutcracker take a balloon ride across the frosty skyline to the Land of Snow where her adventure really begins.
This was a magical and memorable treat not to be missed and showed us all the magic of Christmas combined with wonderful ballet and music. The setting was perfect as we were all enchanted by this perfect festive story. Christmas is not complete without The Nutcracker.
This was a magical and memorable treat not to be missed and showed us all the magic of Christmas combined with wonderful ballet and music. The setting was perfect as we were all enchanted by this perfect festive story. Christmas is not complete without The Nutcracker.
Thursday, 22 December 2011
The Sleeping Beauty at The Royal Opera House
I made my way on an early morning train to London on Saturday 17th December 2011 eagerly looking forward to my visit to The Royal Opera House. It was a 12 noon start for the matinee performance of The Sleeping Beauty by The Royal Ballet so as soon as I arrived at Liverpool Street I made my way to Covent Garden.
The Sleeping Beauty was first performed at the Mariinsky Theatre, St. Petersburg in 1890.This was the ballet where Marius Petipa and Pyotr Ilyich Tchaikovsky expressed their genius to perfection. Today it is a cornerstone of The Royal Ballet's repertory. It was an afternoon to be taken to a world of fairytales full of splendour and colour with wonderful dancing.
King Florestan XXIV and his Queen have invited all the fairies to be godmothers at the christening of Princess Aurora. In her anger at not being invited Carabosse the Wicked Fairy gives Aurora a spindle saying that one day the Princess will prick her finger and die. The Lilac Fairy promises that Aurora will not die but fall into a deep sleep and will be woken by a prince's kiss.
At Princess Aurora's 16th birthday four princes vie for her hand in marriage. As Aurora dances she is given a spindle by an old woman which she pricks her finger with and falls into a dead faint. The old women reveals herself as Carabosse. The Lilac Fairy appears to fulfil her promise and casts a spell of sleep over everyone causing a thick forest to grow over the palace.
One hundred years later Prince Florimund is hunting in the forest when the Lilac Fairy appears and shows him a vision of Princess Aurora. Outside the palace gates the Lilac Fairy repells Carabosse and at last Prince Florimund awakens Princess Aurora with a kiss. Fairytale characters come to the wedding of Prince Florimund and Princess Aurora. They all join in the celebrations and the Lilac Fairy blesses the marriage.
This was a magical afternoon to be at the Royal Opera House. It was an amazing experience to see The Royal Ballet perform live especially as The Sleeping Beauty is such a wonderful story and spectacle to watch. Tchaikovsky's music was performed brilliantly by the Orchestra of The Royal Opera House. A special mention needs to go out to Marianela Nunez who danced the role of Princess Aurora splendidly and completely delighted the audience. The Royal Ballet brought amazing movement and colour to this enchanting fairytale.
The Sleeping Beauty was first performed at the Mariinsky Theatre, St. Petersburg in 1890.This was the ballet where Marius Petipa and Pyotr Ilyich Tchaikovsky expressed their genius to perfection. Today it is a cornerstone of The Royal Ballet's repertory. It was an afternoon to be taken to a world of fairytales full of splendour and colour with wonderful dancing.
King Florestan XXIV and his Queen have invited all the fairies to be godmothers at the christening of Princess Aurora. In her anger at not being invited Carabosse the Wicked Fairy gives Aurora a spindle saying that one day the Princess will prick her finger and die. The Lilac Fairy promises that Aurora will not die but fall into a deep sleep and will be woken by a prince's kiss.
At Princess Aurora's 16th birthday four princes vie for her hand in marriage. As Aurora dances she is given a spindle by an old woman which she pricks her finger with and falls into a dead faint. The old women reveals herself as Carabosse. The Lilac Fairy appears to fulfil her promise and casts a spell of sleep over everyone causing a thick forest to grow over the palace.
One hundred years later Prince Florimund is hunting in the forest when the Lilac Fairy appears and shows him a vision of Princess Aurora. Outside the palace gates the Lilac Fairy repells Carabosse and at last Prince Florimund awakens Princess Aurora with a kiss. Fairytale characters come to the wedding of Prince Florimund and Princess Aurora. They all join in the celebrations and the Lilac Fairy blesses the marriage.
This was a magical afternoon to be at the Royal Opera House. It was an amazing experience to see The Royal Ballet perform live especially as The Sleeping Beauty is such a wonderful story and spectacle to watch. Tchaikovsky's music was performed brilliantly by the Orchestra of The Royal Opera House. A special mention needs to go out to Marianela Nunez who danced the role of Princess Aurora splendidly and completely delighted the audience. The Royal Ballet brought amazing movement and colour to this enchanting fairytale.
Sunday, 16 October 2011
Cleopatra Queen of the Nile
I made my way to Norwich Theatre Royal on Thursday evening to attend the Northern Ballet's performance of Cleopatra with great excitement. Created by David Nixon with music composed by Claude-Michel Schonberg the ballet is inspired by the Queen of the Nile.
The Ballet is a historical retelling of Cleopatra's life from her chanting to the God Wadjet who reveals a golden throne that is the throne of the Egyptian Pharaohs.
In Act 1 it is Cleopatra's wedding to Ptolemy. It is clear there will be no sharing of power and with the help of her handmaidens Cleopatra drowns Ptolemy while he bathes and sits on the throne alone. The Romans arrive in Egypt and Caesar embarks on a long Nile cruise with the Queen and ultimately the child Caesarion is born. Caesar returns to Rome with Cleopatra and Caesarion but in time the political situation changes and Caesar is killed and Cleopatra returns to Egypt.
In Act 11 The Romans return led by Mark Antony who cannot resist Cleopatra. Octavian and Mark Antony's wife Octavia watch his actions and Octavia is sent to Egypt to bring her husband but she returns home empty handed. Octavian rushes to Egypt with his army which leads to Mark Antony dying in Cleopatra's arms. In the final scene Cleopatra is face to face with Wadjet pulling a snake closer to herself but he pulls back. Unable to resist he plunges venom into her and as she dies the gods extend their arms and Cleopatra ascends to her destiny.
The Ballet had great choreography and is a visual triumph. I greatly enjoyed the music that gave a great atmosphere for the dancers to perform this epic story. Dramatic and stunning Cleopatra is a brilliant production that the Northern Ballet can be very proud of. It was splendid to be able to witness this all at Norwich Theatre Royal.
The Ballet is a historical retelling of Cleopatra's life from her chanting to the God Wadjet who reveals a golden throne that is the throne of the Egyptian Pharaohs.
In Act 1 it is Cleopatra's wedding to Ptolemy. It is clear there will be no sharing of power and with the help of her handmaidens Cleopatra drowns Ptolemy while he bathes and sits on the throne alone. The Romans arrive in Egypt and Caesar embarks on a long Nile cruise with the Queen and ultimately the child Caesarion is born. Caesar returns to Rome with Cleopatra and Caesarion but in time the political situation changes and Caesar is killed and Cleopatra returns to Egypt.
In Act 11 The Romans return led by Mark Antony who cannot resist Cleopatra. Octavian and Mark Antony's wife Octavia watch his actions and Octavia is sent to Egypt to bring her husband but she returns home empty handed. Octavian rushes to Egypt with his army which leads to Mark Antony dying in Cleopatra's arms. In the final scene Cleopatra is face to face with Wadjet pulling a snake closer to herself but he pulls back. Unable to resist he plunges venom into her and as she dies the gods extend their arms and Cleopatra ascends to her destiny.
The Ballet had great choreography and is a visual triumph. I greatly enjoyed the music that gave a great atmosphere for the dancers to perform this epic story. Dramatic and stunning Cleopatra is a brilliant production that the Northern Ballet can be very proud of. It was splendid to be able to witness this all at Norwich Theatre Royal.
Tuesday, 16 August 2011
Mariinsky Ballet performing La Bayadere
St. Petersburg's Mariinsky's Ballet were celebrating 50 years since they first performed in London. On Saturday I attended the afternoon performance of La Bayadere at the Royal Opera House.
La Bayadere is a Ballet in three acts with music by Ludwig Minkus. Act One Scene One is By the Walls of the Temple of the Sacred Flame and Scene Two is The Court of the Rajah Dugmanta. Act Two is The Garden before the Rajah's Palace and Act Three is The Kingdom of Shades. It was first performed at the Bolshoi Theatre, St. Petersburg on 23rd January 1877.
La Bayadere takes place in India where Nikiya a beautiful temple dancer is in love with a warrior named Solor who is engaged to the Rajah's daughter Gamzatti. During the Wedding celebrations Nikiya is forced to dance, after which she receives a basket of flowers from Gamzetti. The basket contains a deadly snake and Nikiya dies. Solar dreams of reuniting with Nikiya in the Kingdom of Shades.
The most famous scene for the Ballet is The Kingdom of Shades where 32 ballerinas are on stage all moving at the same time in perfect harmony. This was done perfectly by the Mariinsky Ballet and will be my lasting memory of their performance. This was a wonderful afternoon spent at the Royal Opera House as the Mariinsky showed why they are one of the world's best ballet companies.
La Bayadere is a Ballet in three acts with music by Ludwig Minkus. Act One Scene One is By the Walls of the Temple of the Sacred Flame and Scene Two is The Court of the Rajah Dugmanta. Act Two is The Garden before the Rajah's Palace and Act Three is The Kingdom of Shades. It was first performed at the Bolshoi Theatre, St. Petersburg on 23rd January 1877.
La Bayadere takes place in India where Nikiya a beautiful temple dancer is in love with a warrior named Solor who is engaged to the Rajah's daughter Gamzatti. During the Wedding celebrations Nikiya is forced to dance, after which she receives a basket of flowers from Gamzetti. The basket contains a deadly snake and Nikiya dies. Solar dreams of reuniting with Nikiya in the Kingdom of Shades.
The most famous scene for the Ballet is The Kingdom of Shades where 32 ballerinas are on stage all moving at the same time in perfect harmony. This was done perfectly by the Mariinsky Ballet and will be my lasting memory of their performance. This was a wonderful afternoon spent at the Royal Opera House as the Mariinsky showed why they are one of the world's best ballet companies.
Friday, 22 July 2011
The Latitude Festival is full of The Beautiful Ones!
![]() |
| Foals headlining The Word Arena at Latitude on Saturday night |
Theatre 503 performed PLAYlist which was nine plays inspired by the music of artists playing at this year's festival including Beautiful Ones the anthem of Latitude 2011.
High Tide performed Incoming a work about the war in Afghanistan by former poet laureate Andrew Motion. A powerful work about issues surrounding the effects of war.
I woke up on Friday morning and made my way back to the Theatre Arena to witness two productions from Clean Break. Fatal Light showed a young mother struggling to cope with separation from her daughter. While Dancing Bears was about girl gangs and life lived on the edge.
The time arrived for the music to start at the Festival with Avi Buffalo being the first act to perform in The Word Arena. Avi Zahner-Isenberg said he was stoked to be playing Latitude and we loved the bands souring guitars and What's In It For put us in a Summer Festival mood.
Edwyn Collins gave an inspired performance on the Obelisk Arena stage bringing back memories of Orange Juice and a guest appearance from his son. Chapel Club filled The Word Arena with their dark indie before Isobel Campbell and Mark Lanegan took us back into the light with their Country Folk sounds complete with the former Screaming Trees and Queen's of the Stoneage man's gruff.
Deerhunter brought their noise rock to The Word Arena which filled the tent with a glorious collage of sounds that brought Halcyon Digest to the Suffolk coast full of chaos in the true spirit of Rock n Roll. I just had time to catch my breath before it was time to catch Bright Eyes on the Main Stage. Conor Oberst and the band put on a magnificent show for the festival audience which included a guest appearance from Jenny and Johnny on a cover of Gillian Welch's Wrecking Ball. Finishing with a Road to Joy which could have been the mud filled tracks to the Obelisk Arena.
I crossed the bridge into the woods and got to see Jenny and Johnny twice in the same night. On the Sunrise Arena stage they gave which could be their last performance for a long while. Full of energy and fun, the packed tent were having a party. I rushed back to the Main Stage to see The National who were headlining the Friday night at Latitude. They were returning after headlining the second stage last year.
Opening with Bloodbuzz Ohio we all knew this was going to be a special performance from The National. Lead by frontman Matt Berninger the band took the stage by storm filling the night air with their gloomy rock that ripped into our hearts and souls and removed any Fake Empires from Henham Park. High drama from High Violet this a triumphant set from the band. Somehow Matt Berninger walked past me singing Terrible Love in the middle of a field at the end of their performance. A great way to finish Friday night.
I woke up on Saturday morning with the sound of rain and wind sweeping around my tent. I made my way back to the Theatre Arena for The Opera Group's production of Seven Angels. Complete with a chamber orchestra this was a story of seven fallen angels whose purpose and history has been forgotten.
James Vincent McMorrow opened the music in The Word Arena with his folk pop direct from Ireland evoking thoughts of the wild Irish coastline. Heavy rain greeted Ed Sheeran to the main stage while his acoustic pop mixed with hip hop samples warmed the crowd.
Villagers put everyone in a good mood with their folk sounds direct from Becoming a Jackal, putting smiles on the faces of people of all ages. Next on stage were The Walkmen who provide us with a lively set that completely erupts into life when they perform The Rat.
British Sea Power put on a brilliant performance while their fans seem to have brought the forest into The Word Arena tent with them. They are a band to treasure with top songs and intelligent lyrics. Waving Flags had us all bouncing up and down. Bellowhead gave us some traditional folk songs including Yarmouth Town.
After a long delay due to making sure that the Waterfront stage was safe, The English National Ballet performed two excerpts from Carmen and Don Quixote to a large crowd. This was a wonderful moment at this year's Festival and was well worth the wait.
I returned to the Obelisk Arena to witness My Morning Jacket perform a memorable set as they entertained us complete with memorable beards. The weather may not have been kind but the band took it all in their stride and rocked us into the evening.
After catching the end of Echo and the Bunnymen's performance it was time to see Foals, the Saturday night headliners in The Word Arena. The whole tent was buzzing as the band put on an amazing show that has to be one of the highlights of the weekend. Math Rock with attitude that had us all dancing without a care in the world.
On Sunday morning I was back at the Theatre Arena for the 1927 Theatre Company presentation of The Animals and Children Took To The Streets. This was a stunning production of live music, animation and stage performance. A dystopian future awaits a mother and her daughter in the sector of the city known as Bayou.
I was back at the Obelisk Arena to catch the performance of Scala with their take on contemporary indie pop. It was then left to Anna Calvi to turn us into the light. With Edith Piaf and Elvis covers she took the main arena by storm. Kele made it a mid afternoon party in the sunshine and showers and shocked everyone by playing a guitar. With a mixture of his solo material and Bloc Party songs his performance went down well with the crowd.
I was back in The Word Arena to catch The Naked and Famous bring their New Zealand indie dance to this little piece of Suffolk they had everyone in the tent jumping with joy. No Sunday afternoon naps when these Kiwi's are hitting all the right notes.
Iron and Wine took to the main stage to thrill us with their folk sounds. Samuel Beam bearded frontman looked happy as he thrilled us with songs like Walking Far From Home and Tree By The River. Cool Americana of the highest quality.
With the rain, sunglasses, white t-shirt, Carl Baret and everything that's rock n roll, Glasvegas took us on a rollercoaster ride as James Allan lives out his dreams. Daddy's Gone has us all singing along while Carl Baret and his wife joined the band for Be My Baby. You had to be there to believe it. At the end of their set the sun came out and we are all rock stars now.
Lykke Li was a little bit brilliant back at The Word Arena. Electronic pop beamed direct from Sweden, she took us on a journey with lots of fun on the way. It was time for the final headliners of the weekend and one of the bands of the nineties. Suede took to the Oberlisk Arena stage and we all became film stars. The Latitude Festival is full of the Beautiful Ones as Brett Anderson puts all his energy into a dramatic performance to bring this year's festival to an end.
Subscribe to:
Posts (Atom)


















